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Velut Luna

PIZZICHI E SOSPIRI - Adriano Lincetto

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Adriano Lincetto (Padova, 1936 – Padova, 1996)


Suite per Paer, per Orchestra d'Archi (1980)
01 - Allegro con spirito, 1:26
02 - Adagio, 2:27
03 - Tempo di Valzer, 2:25
04 - Allegro molto, 2:08
Concerto per Flauto e Archi (1979)
05 - Largo espressivo cantabile. Allegro moderato 5:08
06 - Lento, cantando con molta espressione 4:33
07 - Allegro vivacissimo 4:30
Elegia per Corno delle Alpi e Archi (1996)
08 - Adagio, ma non troppo lento. Allegro molto.
Poco meno cantando. Tempo I  12:55
Divertimento per Fagotto e Archi (1995)
09 - notturno  3:16
10 - Danza  3:32
11 - Elegia  6:49
12 - Finale  2:52
Divertimento a due per Chitarra e Pianoforte (1981)
(trascrizione per chitarra e archi a cura dell'Autore)
13 - Preludio  4:17
14 - Danza  3:11
15 - Finale  4:00
Adagio e Allegro per Mandolino e Pianoforte (1978)
(trascrizione per mandolino e archi a cura di Claudio Mandonico)
16 - Adagio  2:08
17 - Allegro  3:50
String Orchestra I Solisti Filarmonici Italiani, diretti da Giovanni Guglielmo
Enzo Caroli, flute
Alessio Benedettelli, alphorn
Andrea Bressan, bassoon
Alessandro Bono, guitar
Ugo Orlandi, mandolino
Native multi channel recording in format DSD, made in March 2003 in the Sala della Biblioteca of the Abbey of Carceri d'Este, Italy.
Microphones have been used Schoeps, mic preamps Millennia Media HV-3B and sound recording equipment. SADiE DSD8.
Mixing and mastering were monitored using a multichannel analog preamp DROMOS EGHEON, amplifier AUDIA FLIGHT 100 x3 and speakers SPENDOR S-100 x5
Executive producer and sound engineer: Marco Lincetto per Velut Luna
Graphics e Layout: L'Image

Adriano Lincetto’s music has never aligned itself with the dictates of the "musical currents" dominant in the '900. Lincetto has always written following his own idea of beauty, melody and harmony. His is tonal music, and sometimes does not fail to pay tribute to those authors who are also unknowingly inspiring source, from Debussy and Ravel, to Bartok and Stravinsky. It is an absolute and timeless music, often born to satisfy the requests for "new music" of the musicians who were then also the first performers, as in the case of this album Enzo Caroli and Alessio Benedettelli and the friend of Giovanni Guglielmo. A music to be enjoyed for the beauty in itself and without looking for any pseudo-cultural aftertaste, typical of the conventicle of power linked more to political power than to music in the absolute sense.

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